Wednesday, February 1, 2012
Largest Rural Mail Carrier
Monday, January 30, 2012
Being Batty
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| Bats emerging from Carlsbad Caverns, NM |
Why do they say bat out of hell? I'd think a bat would be trying to get to hell. I bet hell is bat heaven.Now, he may have been listening to too much Meatloaf, but I'm not one to pass up a good question. I do so enjoy phrase etymology! Luckily, we have oodles of books on the subject. According to Dictionary of Animal Words and Phrases, this is the meaning for like a bat out of hell:
The bat, being a nocturnal animal, is associated with darkness. Therefore, in the folklore of many parts of the world, it is said that the devil, the Prince of Darkness, often takes the form of a bat. In fact, the devil is often depicted with bat's wings. Bats are also generally associated with caves, which look like routes to hell, the devil's habitat. Bats are also noted for their quick, darting flight. All of these associations have come together in a twentieth-century expression: to go very quickly is to go like a bat out of hell.
Logical. The Facts on File Encyclopedia of Word and Phrase Origins had a little more to add:
Since bats are nocturnal creatures that loathe the light, the hellfires of the infernal regions would inspire them to flap like hell to get out of there. That may be the idea behind the expression to move like a bat out of hell, extremely fast, which Partridge traces to 1908 and which probably goes back to the late 19th century. It was also slang used by R.A.F. pilots since World War I for "to fly extremely fast."
bat. (2010). In The Hutchinson Unabridged Encyclopedia with Atlas and Weather guide. Retrieved from http://www.credoreference.com/entry/heliconhe/bat
Hendrick, Robert. The Facts on File Encyclopedia of Word and Phrase Origins. New York, NY: Facts on File, 1997. Print.
Friday, January 27, 2012
Here a Book, There a Book, Everywhere a Book Book
Why you see, sir, no man can do comfortably without three copies of a work. One he must have for a show-copy, and he will probably keep it at his country-house. Another he will require for his own use and reference; and unless he is inclined to part with this, which is very inconvenient, or risk the injury of his best copy, he must needs have a third at the service of his friends.
All of those volumes sure add up. By the time of his death in 1833, he owned 150,000 volumes. To put that in perspective, the Mississippi Library Commission holds 124,534 volumes. I bet ours are much better organized than his were!
http://commons.wikimedia.org/wiki/File:Alte_Buecher.JPG
Kacirk, Jeffrey. Forgotten English. William Morrow and Company, Inc.: New York, NY, 1997. Print.
Friday, January 20, 2012
Leon, Rest in Peace.

I'm not sure I would've given poor Leon's story this title, however. And why is there no information on why Leon was so determined? Had something happened? Was he suffering from depression? (My suspicious nature also wants to know how, in 1910, the hospitals were so adept at curing self-inflicted gunshot wounds.) Or were all his clumsy attempts merely cries for help? Oh, Leon, I'm sorry this was your sad fate.
From a research perspective, I tried finding out more about Leon, but as he was a sailor and this story was set in France, I'm afraid my resources are limited. If anyone knows more about Leon Weiss, please let us know!
Thursday, January 19, 2012
Better late than never... Happy Birthday, Theora!

January 15 would have been Theora Hamblett’s 116th birthday. Hamblett, a Mississippi artist, is known for her primitive style paintings that reflected her childhood memories, the Southern countryside, and religious visions.
Hamblett grew up on a farm in Paris, MS located in Lafayette County. She began teaching school in 1915 and travelled about the county teaching until 1936. In 1939 Hamblett moved to Oxford for a change of scenery. She made her living by working as a seamstress and renting out rooms in her home to college students. She didn’t actually begin painting until 1950 when she took an art class at night at the University of Mississippi. In searching AskArt database, I found this look into Hamblett’s feelings towards her art class from The Encyclopedia of American Folk Art. The entry says Theora’s time in class “was short because the course focused on abstract art, which did not interest her. Instead, she followed her own inclinations.”

Hamblett’s paintings are notable for the pointillist technique she used. She used dots of many colors to create her compositions. For example, most of the leaves on the trees in Hamblett’s paintings are made up of no less than 3 different dots of color. Hamblett’s painting Golden Gate, later renamed The Vision went on to hang in the Museum of Modern Art in New York City.
Upon her death in 1977, Hamblett bequeathed approximately 200 paintings to University of Mississippi Museums. Hamblett’s works are on display year round at The University Museum in Oxford, MS.

-www.ogdenmuseum.org/education/pdf/placemats-TheoraHamblett.pdf
-http://museum.olemiss.edu/collections/theora-hamblett/
-AskArt
Friday, January 13, 2012
Abduction in Pascagoula
Charles Hickson, 42, and Calvin Parker, 19, were out for a bit of night fishing off of the dock of an abandoned shipyard on October 11, 1973. The two were quietly waiting on the fish to bite when they heard a loud zipping sound at approximately 9 p.m. The sound was coming from what the two described as a domed, football-shaped object. Three figures floated out of the object and headed for the fishermen. Hickson and Parker described the creatures as being a little over five feet tall and had ears that resembled carrots, slits for a mouths, no visible eyes, hands that resembled a mitten attached to unusually long arms, and feet like an elephant’s. The creatures were also very wrinkly and grey (Clark). Here is a sketch of the creatures based on Hickson and Parker's descriptions:
Hickson says that two of the aliens approached him. He found himself paralyzed as soon as one took his arm. The two creatures floated Hickson up into their aircraft. Meanwhile, Parker had fainted from fear. One creature picked him up and floated up to the craft with him. Hickson says that once inside the craft, his body was levitated at different angles while a football shaped eye inspected him. Once the floating eye had thoroughly inspected Hickson the two beings took him back down to the dock where they had taken him from. Parker isn’t entirely sure what all took place while he was in the craft. He remembers hearing a whistling noise and a click and seeing the bright interior of the craft. He was then floated outside and left standing (but unable to move) on the dock. The entire episode lasted only about 20 minutes (Clark).
The two eventually calmed themselves (Hickson had a spot of whiskey to help calm himself) and contacted the Keesler Air Force base in Biloxi. The Air Force base urged them to contact their local sherrif’s department and from there the rest is history. Once the story got out, the town was swarmed with media for weeks afterwards.
Hickson eventually collaborated with a man named William Mendez on a book that tells the entire story. The book is called UFO Contact at Pascagoula and we have it in our collection here at the Mississippi Library Commission (it’s already been moved to the top of my “to read” list).
Clark, Jerome. 1998. The UFO Encyclopedia: The Phenomenon From the Beginning, Vol. 2. Detroit: Omnigraphics, Inc. p.714-716
Wednesday, January 11, 2012
Pardon Me!
- How long have MS governors been allowed to pardon people right before they leave office?
- What are the pardoning records of past MS governors?
In all criminal and penal cases, excepting those of treason and impeachment, the Governor shall have power to grant reprieves and pardons, to remit fines, and in cases of forfeiture, to stay the collection until the end of the next session of the Legislature, and by and with the consent of the senate to remit forfeitures. In cases of treason he shall have power to grant reprieves, and by and with consent of the senate, but may respite the sentence until the end of the next session of the Legislature; but no pardon shall be granted before conviction; and in cases of felony, after conviction no pardon shall be granted until the applicant therefor shall have published for thirty days, in some newspaper in the county where the crime was committed, and in case there be no newspaper published in said county, then in an adjoining county, his petition for pardon, setting forth therein the reasons why such pardon should be granted.
The New York Times published a most fortuitous article this very day. In it, they provided the following numbers:
- Gov. Haley Barbour (2004-2012) 203 full pardons (17 to convicted murderers)
- Gov. Ronnie Musgrove (2000-2004) 1 full pardon
- Gov. Kirk Fordice (1992-2000) 13 full pardons (2 to convicted murderers)
- Gov. Ray Mabus (1988-1992) 4 full pardons
Mississippi Code, 1972 Annotated
http://www.nytimes.com/2012/01/11/us/gov-haley-barbour-of-mississippi-is-criticized-on-wave-of-pardons.html?_r=2
http://commons.wikimedia.org/wiki/File:Nuernberg_jail.jpg

